Feminism and Hip Hop Conference: Participant Bios

Moya Bailey
Angie Colette Beatty
Dionne Bennett

Ruth Nicole Brown
Yvonne Bynoe
Hazel V. Carby
Rosa Clemente
Alison Duke
Dawn-Elissa Fischer
Melyssa Ford
Farah Jasmine Griffin
Tamika Guishard

Beverly Guy Sheftall
Bryon Hurt
Cheryl L. Keyes
Felicia Miyakawa
Jessica Care Moore
Joan Morgan
Marcyliena Morgan
Mark Anthony Neal
Kim Osorio
Imani Perry
Gwendolyn Pough
Kimala Price
Psalm One
Rachel Raimist
Rokafella
Tricia Rose
Akiba Solomon
Jessy Terrero


Moya Bailey
Moya Bailey is a senior at Spelman College, where she is majoring in Comparative Women’s Studies, is an honors student and a dean’s scholar. She is active in many campus organizations including the Feminist Majority Leadership Alliance (FMLA), of which she is president, AUC Peace, Sisterfire and Afrekete. Her work with the FMLA and the SisterSong conference reflect her commitment to the reproductive rights and concerns of women of color. In addition to her activities on the Spelman campus she has served on the steering committee of the National Alliance for Radical Prison Reform in the Atlanta metropolitan area. Bailey is also a contributing writer for Fierce Magazine, PopandPolitics.com and Wiretapmag.org. She hopes to open a free clinic for women after completing her graduate education.

Angie Colette Beatty
Angie Colette Beatty is a Black feminist/activist/academic/poet/beatbox artist who specializes in Black female agency and gangstressism in popular culture and American culture in general. She is currently a Ph.D. Candidate in the Department of Communication Studies at the University of Michigan. Her dissertation historicizes female gangsta rappers and introduces a framework of hip-hop gangstressism. This framework underscores the role of economic violence, particularly the role of capitalist/racial/patriarchal hegemony, in intra-female aggression and discusses the effect of Black female agency as a mitigating factor. She is actively involved with the Progressive Women’s Caucus, which was born out of a need to directly address issues that affect women and girls in communities of color during the 2004 National Hip Hop Political Convention in Newark, NJ.

Dionne Bennett
Dionne Bennett is an Assistant Professor of African American Studies at Loyola Marymount University in Los Angeles, CA where she previously worked as Visiting Assistant Professor of Women's Studies. She is currently a 2005 fellow at the W.E.B. Du Bois Institute for African and African American Research at Harvard University. She is also the Culture, Media and Politics Coordinator for The Hiphop Archive at Stanford University. She holds a Ph.D. in Anthropology from the University of California, Los Angeles and graduated magna cum laude with a B.A. in Anthropology and Literature from Yale University. She is the author of Sepia Dreams: A Celebration of Black Achievement Through Words and Image (St. Martin’s Press, 2001) and co-editor of Revolutions of the Mind: Cultural Studies in the African Diaspora Project 1996-2002 (CAAS Publications University of California Los Angeles, 2003). She has been a Ford Foundation Minority Dissertation Fellow, and a recipient of the UCLA Office of the President's Eugene Cota Robles Fellowship. As a television writer and segment producer, she has worked for the NAACP Image Awards, the Essence Awards, the Democratic National Convention (2000), and the Fox Movie Channel. Dionne Bennett's work focuses on the politics of African American emotional experience, intimate relationships, and popular culture with an emphasis on the ritual performance and popular representation of African American romantic love.

Ruth Nicole Brown
Ruth Nicole Brown grew up in Park Forest, IL and received her B.A. in political science from the University of Illinois Urbana-Champaign. She has recently earned her doctorate at the University of Michigan Ann Arbor as well as completed a certificate in Women's Studies. Ruth Nicole is passionate about the stories young people share about the ways in which they define and construct meanings of community, power, and, politics. Her dissertation work explores African American girls' political socialization in a context of girl empowerment-mentoring programming. Hip-Hop and particularly the media images young girls readily critique, accept, and debate have been issues that have repeatedly emerged in her ethnographic field work. Moreover, as someone who came of age in Hip Hop’s second generation, Ruth Nicole’s identification of Hip Hop with her girl/growhood and understanding of feminisms were reflected back to her through her work with girls, and is poetically documented in her academic writing.

Yvonne Bynoe
Yvonne Bynoe is the author of the book Stand and Deliver: Political Activism, Leadership, and Hip Hop Culture. She is known as an astute cultural critic and is regarded as a leading voice among a new generation of young Black thinkers. Bynoe frequently lectures, writes and provides commentary on rap music, Hip Hop and politics. Her writings have appeared in several anthologies and in The Georgetown Journal of International Affairs, Colorlines, Africana.com, AlterNet.org, PopandPolitics.com and The Black World Today. She holds a B.A. from Howard University and a J.D. from Fordham University School of Law.

Hazel V. Carby
Hazel V. Carby is Charles C. and Dorathea S. Dilley Professor of African American Studies and Professor of American Studies at Yale University where she has taught since 1989. Before joining the Yale faculty Professor Carby taught at Wesleyan University for seven years. A graduate of the Centre for Contemporary Cultural Studies she received her Ph.D. from the University of Birmingham, U.K. in 1984. From 1972-79 Hazel Carby was a high school English teacher in the East End of London. She received her B.A. in 1970 from Portsmouth Polytechnic. Her books include Reconstructing Womanhood (Oxford University Press, 1987), Race Men (Harvard University Press, 1998), and Cultures in Babylon (Verso, 1999). Recent essays include: “A Strange and Bitter Crop: The Spectacle of Torture,” Open Democracy, http://www.opendemocracy.net/ debates/article-8-112-2149.jsp and “The New Auction Block: Blackness and the Marketplace,” forthcoming in Lewis Gordon editor Companion to African American Literature (Blackwell Publishing). Her current work in progress is Child of Empire: Racializing Subjects in Post WWII Britain. Hazel Carby is a dual citizen of the U.K. and the U.S.A.

Rosa Clemente
Rosa Clemente is a Black Puerto Rican grassroots organizer, hip-hop activist, journalist, and entrepreneur. With a B.A. from the University of Albany and an M.A. from Cornell University, she is committed to scholar-activism and youth organizing. She has delivered lectures on topics such as African-American and Latino/a Intercultural Relations, Hip-Hop Activism, The History of the Young Lords Party, and Organizing to Free U.S. Political Prisoners. Clemente was a youth representative at the United Nations World Conference against Racism in South Africa in 2001. In 2002, she was named by Red Eye Magazine as one of the top 50 hip hop activists to look out for. Most recently Clemente was a co-founder and coordinator for the National Hip Hop Political Convention, which drew over 3000 Hip Hop generation activists who were brought together to create a national agenda for the hip-hop generation and merging the grassroots with electoral politics. She is currently a co-host/co-producer of Where We Live (WBAI, 99.5 FM, NY), an organizer with the Malcolm X Grassroots Movement, a spokesperson for the National Hip Hop Political Convention, a board member for the National Coalition Against the Death Penalty (NCADP), and the coordinator of the “State of Black World Youth Caucus.”

Alison Duke
Alison Duke is an award-winning filmmaker who has produced and directed feature documentaries for television and music videos and commercials in Canada through her independent production companies Raje Film House and Goldelox Productions since the mid 1990s. In 2001, she made her directorial debut with the acclaimed rap documentary Raisin' Kane: a Rapumentary, produced by the National Film Board. Raisin' Kane, which examines rap artists as entrepreneurs, was awarded best Canadian Documentary at the 2001 Reel World Film Festival, as well as the HBO Award for Best Documentary at the 2001Urbanworld Film Festival. She is also the director of Booty Nation. During the 2001-2002 season Duke worked as senior segment producer for Sex TV, an internationally syndicated Canadian documentary magazine series that focuses on sexuality and gender issues. She also wrote and directed A Deathly Silence, a feature length documentary following a mother's campaign for justice one year after her son's murder. She is currently in development for another feature documentary and is scheduled to do her first TV drama in the summer of 2005.

Dawn-Elissa Fischer
Dawn-Elissa Fischer is an emerging anthropologist, filmmaker and educator concerned with the ways youth around the world use Hiphop as a tool for political empowerment. Currently the Education Outreach Coordinator at the Hiphop Archive, she has studied Hiphop throughout the United States, as well as internationally in Japan, the Netherlands, Norway, Senegal, South Africa, Sweden and Tanzania. Additionally, Fischer was one of the founders of the National Hip-Hop Political Convention and has taught courses on Hiphop cultural studies at the University of Florida, where she is currently a Ph.D. candidate in the Department of Anthropology. Fischer is the Executive Director of Edutainment 4 Life, a Missouri-based nonprofit organization that creates entertaining education for life skills and self-help for underserved youth, and she serves on the board for HOTGIRLS, Inc. (Helping Our Teen Girls in Real Life Situations), an non-profit organization that uses Hiphop to educate adolescent girls about sexual health. Fischer has been featured on BET for her political work and academic commentary regarding Hiphop in the United States. Her film, Nihon Style, a documentary project about Hiphop in Japan with co-producer Bianca White, has been praised by many Hiphop publications and organizations around the world.

Melyssa Ford
Model Melyssa Ford is probably best known for her appearances in videos by hip-hop and R&B's artists like Jay-Z's "Big Pimpin," Jadakiss' "Knock Yourself Out," Ghostface Killah's "Cherchez La Ghost," Mystikal's "Shake Ya Ass," 112's "Anywhere," and Sisqo's "Thong Song Remix." She has made guest appearances in Showtime's hit series Soul Food, UPN's series Platinum, and ESPN's Playmakers. She has also hosted the Internet show Lifestyles of the Phat and the Phabulous. Her film credits include several independent films, including Psyche (2004) and Turn It Up (2000), an action flick starring rappers Ja Rule and Pras. Ford writes a monthly relationship and dating column for Smooth magazine, "Jessica Rabbit." She has appeared on the cover of a variety of magazines, including Smooth magazine, Black Men Magazine, Today's Black Man, Peace Magazine, King Magazine, and SSX Magazine. Her upcoming projects include an episode of MTV2's Ladies of Hip Hop. She will be featured in upcoming issues of GQ and Maxim and on the cover of Black and White Magazine in the near future.

Farah Jasmine Griffin
Farah Jasmine Griffin is a professor of English and comparative literature and African-American studies at Columbia University. She is also the director of the Institute for Research in African American Studies at Columbia. She received her B.A. from Harvard (1985) and Ph.D. from Yale (1992). Prof. Griffin is the author of Who Set You Flowin’: The African American Migration Narrative (Oxford University Press, 1995) and If You Can’t Be Free, Be a Mystery: In Search of Billie Holiday (Free Press, 2001). She is also the editor of Beloved Sisters and Loving Friends: Letters from Addie Brown and Rebecca Primus (Knopf Press, 1999), co-editor with Cheryl Fish of Stranger in the Village: Two Centuries of African American Travel Writing (Beacon Press, 1998), and co-editor with Brent Edwards and Robert O'Meally of Uptown Conversations: The New Jazz Studies (Columbia, 2004). Prof. Griffin is the recipient of numerous honors and awards for her teaching and scholarship. Her major fields of interest are African American literature, music, history and politics.

Tamika Guishard
Tamika Guishard is the director of Hip Hop Gurlz, a film that focuses on the positive and negative impact of hip hop culture on young women. She is currently a seventh grade social studies teacher in East New York. She received her undergraduate degree from the University of Pennsylvania and is attending Brooklyn College for a Master's in Education. After teaching for a number of years, Guishard plans to acquire an MFA in Film/Video and ultimately resurrect the "afterschool special."

Beverly Guy-Sheftall
Beverly Guy-Sheftall is the Anna Julia Cooper Professor of English and Women's Studies at Spelman College in Atlanta. In 1981, she became the founding director of the College's Women's Research and Resource Center, the first of its kind on a historically black college campus. She earned her Ph.D. in American studies from Emory University in 1984. Prof. Guy-Sheftall is the author of Words of Fire: An Anthology of African-American Feminist Thought (New Press, 1995), co-editor of Sturdy Black Bridges: Visions of Black Women in Literature (Anchor Books, 1979), the first anthology of black women's literature published in the U.S., and co-editor of Double Stitch: Black Women Write About Mothers and Daughters (Beacon Press, 1991). She recently completed an anthology with Rudolph Byrd entitled Traps: African American Men on Gender (Indiana University Press, 2001) and Sexuality and Gender Talk: The Struggle for Women’s Equality in African American Communities (Random House, 2003) with Johnnetta B. Cole.

Byron Hurt
Byron Hurt is the co-founder and associate director of the U.S. Marine Corps gender violence prevention program. A former Northeastern University quarterback, he also helped to establish the Mentors in Violence Prevention Program at Northeastern, the first large-scale attempt to enlist collegiate and professional athletes in the fight against rape and violence against women. Hurt is an educator who teaches about racism, sexism and violence against women. He produced the award-winning documentary I Am a Man: Black Masculinity in America.

Zenzele Isoke
Zenzele Isoke is a Doctoral Candidate in Women's and Gender Studies at Rutgers University-New Brunswick. Her dissertation explores how Black women's participation in local social networks enables mass mobilizations in communities of color. She received her Master's degree in Political Science from the University of Michigan at Ann Arbor and graduated magna cum laude from Clark Atlanta University, also majoring in Political Science. Isoke has served as a graduate research associate for the Center for Political Studies at the University of Michigan, conducted policy research for the Southern Center for Studies in Public Policy in Atlanta, GA and served as a legislative research consultant for Senator Hank Sanders of the Alabama State Assembly. In 2004, Isoke spearheaded the Progressive Women's Caucus of the National Hip Hop Political Convention. She is also a longtime member of the New Afrikan Women's Caucus of the Malcolm X Grassroots Movement. She currently serves as Governor's Executive Fellow for the Eagleton Institute of Politics at Rutgers University.

Cheryl Keyes
Cheryl L. Keyes is an associate professor of ethnomusicology at the University of California, Los Angeles. She has conducted extensive field research on rap and hip-hop culture since 1981. Among areas or communities where she has executed study on hip-hop music are Bloomington (IN), Detroit, Los Angeles, New York City, London, and Mali, West Africa. Her research has been published in Ethnomusicology, Folklore Forum, the Journal of American Folklore as well as edited volumes. Her recent book, Rap Music and Street Consciousness (University of Illinois Press, 2002) was among CHOICE’s (American Library Association Publication) Outstanding Academic Book Titles for 2004. Other awards she received include a Ford Foundation Postdoctoral Fellowship in 1992, and most recently a UCLA Center for Community Partnership Grant with the hip-hop community organization Justice by Uniting in Creative Energy (J.U.i.C.E.) for 2003 and 2004. In addition to her teaching and research accomplishments, she is a songwriter, composer-arranger, and musician who has performed and recorded with jazz clarinetist-educator Alvin Batiste and New Orleans rhythm-and-blues veteran Eddie Bo.

Felicia Miyakawa
Felicia Miyakawa is an assistant professor of musicology at the McLean School of Music at Middle Tennessee State University. Her research areas include hip-hop music and culture, Black nationalism, American popular music, and African-American music and literature. Her book, Five Percenter Rap: God Hop's Music, Message, and Black Muslim Mission, is scheduled to be released by Indiana University Press in May 2005. She has presented her work at both academic and popular music conferences, including conferences sponsored by the Rock and Roll Hall of Fame and the Experience Music Project in Seattle. She received her Ph.D. and M.A. in musicology (with minors in Afro-American studies) from Indiana University and her B.A. in both music and French at Linfield College, McMinnville, Oregon.

Jessica Care Moore
Jessica Care Moore is one of the most anticipated published poets of this generation. She is also a recording artist, playwright, actor, and publisher. She is making a literary, theatrical and musical impact on the world that will help define the art of words. Her dynamic young voice swept the nationally televised It’s Showtime at the Apollo, winning a record five consecutive weeks with her powerful lyrics. An international poetic force, she has performed for audiences in London, Scotland, Berlin, Paris and Holland. Her work has been appeared in several major anthologies, including Listen Up! (Random House, 1999), Step Into A World (Wiley Publishing, 2001), Role Call (Third World Press, 2002), and Bum Rush The Page (Crown Publishing, 2001). She is the author of The Alphabet Verses The Ghetto (Moore Black Press, 2003), a collection of prose and poetry, and The Words Don’t Fit in My Mouth (Moore Black Press, 1997), another collection of her poetry. Her plays include There Are No Asylums for the Real Crazy Women and Alpha Phobia.

Joan Morgan
Joan Morgan is an award-winning journalist and author and a provocative cultural critic. Until recently, she was the Executive Editor of Essence magazine, where she joined the staff as an editor-at-large in January 2000. She began her professional writing career freelancing for The Village Voice. Her first article, "The Pro-Rape Culture," explored the issues of race and gender in the case of the Central Park jogger. The article and the heated response to it quickly established Morgan’s reputation as a Black-feminist writer who was unafraid of tackling the most highly charged topics. In addition, Morgan’s article won an award from the New York Association of Black Journalists. A staff writer at Vibe magazine for three years, she has also written extensively about music and gender issues for Madison, Interview, MS, More, and Spin magazine, where she was contributing editor and columnist. Joan Morgan is the author of When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down.

Marcyliena Morgan
Marcyliena Morgan is an associate professor in the Communications Department at Stanford University. Her research has focused on language, culture and identity, sociolinguistics, discourse and interaction. She is the author of Language, Discourse and Power in African American Culture (Cambridge, 2002) and the editor of Language and the Social Construction of Identity in Creole Situations (CAAS Publications, 1994). Her other publications include articles and chapters on African American culture and language, urban youth language and interaction, language ideology, women's speech, discourse and interaction among Caribbean women in London and Jamaica, and language education planning and policy. Prof. Morgan is currently completing a book on hip hop culture and language and the construction of social identity entitled The Fifth Element: Respect and Recognition in the Hiphop Underground. She is the founding director of the Hip Hop Archive at the W.E.B. Du Bois Institute at Harvard University.

Mark Anthony Neal
Mark Anthony Neal is Associate Professor of Black Popular Culture in the Program in African and African-American Studies at Duke University. Neal's scholarly interests are in black popular culture, black gender and queer theory, and black intellectual production. He is the author of four books, What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), Songs in the Keys of Black Life: A Rhythm and Blues Nation (2003) and New Black Man: Rethinking Black Masculinity (2005). Neal is also the co-editor (with Murray Forman) of That’s the Joint!: The Hip-Hop Studies Reader (2004). Neal's essays have been anthologized in more than a half-a-dozen books, including the 2004 edition of the acclaimed series Da Capo Best Music Writing, edited by Mickey Hart. Professor Neal is also a weekly columnist for AOL BlackVoices and a regular contributor to NPR’s News and Notes with Ed Gordon.

Kim Osorio
Kim Osorio is Editor-in-Chief at The Source magazine. When she assumed the position in 2002, she became the first female face of “the Bible of Hip-Hop.” She joined the company in 2000 as the Associate Music Editor and quickly worked her way through the editorial ranks. As Editor-in-Chief, Osorio is responsible for overseeing the entire editorial content of the magazine, managing a staff of 25, and serving as a spokesperson for The Source brand. Prior to joining The Source, she earned a B.A in Fine Arts at Fordham University and a J.D. from New York Law School. Kim Osorio's writings about hip-hop music have appeared in local newspapers as well as national publications, including Billboard magazine, The Source and Vibe. She makes frequent appearances on such television networks as CNN and VH1 as an expert on hip-hop.

Imani Perry
Imani Perry is an assistant professor of law at Rutgers University School of Law-Camden, New Jersey, where she teaches courses on contracts, law and literature, and critical race theory. Her scholarly work is in the areas of race, legal history and culture. Prof. Perry is the author of the recently released book Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), in which she suggests that "Hip Hop …airs a much wider, more troubling range of black experience than was projected during the civil rights era." She is also the author of numerous articles and book chapters in law and cultural studies, including "It's My Thing and I'll Swing it the Way That I Feel: Sexuality & Black Women Rappers" in Gender Race and Class in the Media: A Text Reader (Sage Press, 1994), edited by Gail Dines and Jean Humez, and “Who(se) am I?: The Identity and Image of Women in Hip Hop” in Gender, Race and Class in the Media: A Text Reader, 2nd edition (Sage Press, 2002), edited by Gail Dines and Jean Humez. Prof. Perry received her B.A. from Yale College in literature and American studies, her Ph.D. from Harvard Graduate School of Arts and Sciences in American civilization, and her J.D. from Harvard Law School.

Gwendolyn Pough
Gwendolyn D. Pough is currently an Associate Professor of Women’s Studies, Writing, and Rhetoric at Syracuse University. Her book, Check It While I Wreck It: Black Womanhood, Hip-Hop Culture, and the Public Sphere was published in June 2004 by Northeastern University Press. Her shorter publications can be found in Colonize This! Young Women of Color on Today’s Feminism, Catching a Wave: Reclaiming Feminism for the 21st Century, Doula, College Composition and Communication, That’s the Joint!: A Hip Hop Studies Reader, African American Rhetorics: Interdisciplinary Perspectives, Get It Together, and Rhetoric and Ethnicity. She was awarded an American Association of University Women Post-Doctoral Fellowship in 2003-2004 to complete research on her next book length project about contemporary African American women's book clubs and reading groups. She has served on the Executive Committee of the Conference on College Composition and Communication and the Editorial Board for Voices from the Gaps, a website devoted to women writers of color. Already a national expert on hip-hop and an award-winning writer, Pough earned her Ph.D. in literature at Miami University in Oxford, Ohio in 2000.

Kimala Price
Kimala Price is a founding member of the Progressive Women’s Caucus which emerged from the 2004 National Hip Hop Political Convention held in Newark, NJ. Holding a PhD in political science from the University of Michigan, Ann Arbor, she is currently a research fellow at Ibis Reproductive Health in Cambridge, Massachusetts. She has been active in the women’s rights and reproductive justice movements since the early 1990s, including working for a number of feminist organizations in Washington, DC and Atlanta, Georgia. Additionally, she has served as a legislative aide on gender and education issues for Senator Edward M. Kennedy (D-MA). She is currently working on a book manuscript, A Tale of Two Pills, which documents the political controversy surrounding mifepristone (the abortion pill) and emergency contraception (the morning after pill).

Psalm One
Chicago-based Hip Hop/Rap artist Psalm One is known for her high level of lyricism. She has performed with 50 Cent, Atmosphere, MF Doom, De La Soul, Camp Lo, Jean Grae, Diverse, Blueprint, Brother Ali, and more. Her albums include Bio Chemistry (Banarnar, 2002), Personal Surplus (Birthwrite, 2003), Bio Chemistry 2 (Birthwrite, 2004), and Get in the Van Vol. 1 Mixtape (Vinyl Addicts, 2004). Her forthcoming album, The Death of Frequent Flyer (Rhymesayers, 2005), represents her best work to date. It features emcees Brother Ali and Thaione Davis, as well as DJ's DQ and Spontaneous. Psalm One has been featured in publications like Billboard Magazine,
Elemental, URB, and RE UP.

Rachel Raimist
Rachel Raimist is a hip-hop feminist filmmaker, scholar, and activist. Her film credits include the award-winning feature length documentaries Freestyle (Best Documentary, Urban World Film Festival, 2000; Best Soundtrack, LA Independent Festival, 2001; and Best Documentary, Woodstock International Film Festival, 2000), Nobody Knows My Name (South by Southwest Film Festival selection and Best Documentary, Denver Pan African Film Festival), and Garbage, Gangsters, and Greed (Best Documentary, Santa Cruz Environmental Film Festival, 1999). She has been frequently interviewed about women in hip-hop, hip-hop feminism, and video activism by major publications and news programs, including Spin, LA Weekly, The Village Voice, and 60 Minutes. Her articles have appeared in Urb, The Source, and BLU magazine. Raimist is currently editing her documentary about incarcerated poets who meet inside Stillwater Correctional Facility in Minnesota. She is also pursuing her Ph.D. in Feminist Studies at the University of Minnesota, Twin Cities. Her thesis focuses on hip-hop feminism and movements for social change. She received her B.A. and M.F.A. in Directing from UCLA. She teaches Feminist Film Studies at the University of Minnesota and Women of Color Feminisms/Third Wave Theory and Practice at Macalester College.

Rokafella
Ana "Rokafella" Garcia is a hip-hop dancer, choreographer, and instructor. She is the co-founder of Full Circle Productions, a collective of hip-hop artists. She has performed with such crews as The Transformers, The Breeze Team, and the New York City Float Committee. She toured Europe as a member of the hip-hop dance company, GhettOriginal, joining the group in 1994. She has also worked with artists like Will Smith, Mariah Carey, Whitney Houston, and Tito Puente, to name a few. Rokafella has taught dance workshops at NYU and Howard University as well as neighborhood high schools and community centers. She was co-host of 88 Hip-Hop, an Internet radio show. The show included a "Hip-Hop History" segment for which she interviewed a number of pioneer artists.

Tricia Rose
Tricia Rose, Chair and Professor, American Studies Department at the University of California at Santa Cruz, specializes in twentieth-century African-American culture, urban history, cultural politics, race and gender theory, race and sexuality, popular culture and music. Her book Longing to Tell: Black Women Talk About Sexuality and Intimacy (Farrar, Straus and Giroux, 2003) is the first oral history about black women’s sexuality in America. She is also the author of Black Noise: Rap Music and Black Culture in Contemporary America (Wesleyan Press, 1994) and co-editor, with Andrew Ross, of Microphone Fiends: Youth Music and Youth Culture (Routledge, 1994). Black Noise was awarded an American Book Award from the Before Columbus Foundation in 1995. Rose has been featured as an expert commentator in newspapers and magazines and on television and the radio. She received her B.A. in sociology from Yale University in 1984 and completed her Ph.D. in American civilization at Brown University in 1993.

Akiba Solomon
Akiba Solomon is the health editor for Essence magazine. In this role, she is responsible for assigning and editing health and fitness coverage. She joined ESSENCE in September 2004. The Howard University graduate from West Philadelphia has been on the staff of Washingtonpost.com, Jane and The Source magazine, where she specialized in hard news and politics. Her work has appeared in a range of publications, including Vibe, POZ, Suede and BET.com. Solomon recently co-edited a highly anticipated anthology of essays and oral memoirs about Black women and body image entitled, Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips and Other Parts (Perigee), which is due out in August 2005.

Jessy Terrero
Jessy Terrero, director, marked his feature film directorial debut with Soul Plane. Terrero’s short film, The Clinic, was chosen to screen at the 2003 Sundance Film Festival and has been screened at the New York International Latino Film Festival, Urbanworld, and the Los Angeles Short Film Festival. He was selected to be a participant in Fox Searchlight Pictures’ new digital production unit, Fox Searchlab, which recognizes and mentors emerging filmmakers with exciting new cinematic voices. Terrero made his first music video for Ghetto Concept, which was nominated for a Much Music Award in Canada. Terrero garnered critical acclaim and music video award nominations from MTV and Billboard Magazine for Gettin’ In The Way for Jill Scott, which Terrero followed up with the MTV buzz-worthy A Long Walk. To date, Terrero has worked with 50 Cent on Wanksta and Many Men, Nick Cannon on Your Pop Don’t Like Me, Snoop Dogg on Tell It Like It Is, Musiq Soulchild on Half Crazy Remix, The Roots on Break U Off, Mystikal on Bouncin’ Back, G Unit on Smile and I Wanna Get to Know You, Jonell featuring Method Man on Around & Around, and Syleena Johnson on I Am Your Woman, which was nominated for Billboard Magazine’s Video Music Awards Best New Adult Contemporary New Artist Clip of the Year 2001.

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